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Why is indigo not a color anymore?

Why is indigo not a color anymore?

Indigo is a deep and rich color between the traditional primary colors of blue and violet on the visible spectrum. It has long been considered one of the major colors used by artists for painting and dyeing fabrics. However, in recent years, indigo has faded from prominence and is no longer classified as one of the main colors on the color wheel. This raises the question – why is indigo not considered a main color anymore?

A Brief History of Indigo

Indigo dye has been used for centuries in many cultures and civilizations. One of the earliest known uses of indigo dye came from India and dates back to around 3000 BCE. The dye was extracted from the leaves of certain indigo plants native to India and Southeast Asia. In India, indigo dye was referred to as “nila” meaning dark blue.

The ancient Egyptians also imported indigo dye and used it in their textile industry. In ancient Greece and Rome, indigo was referred to as “indicum” and was a luxury item imported from India. During the Middle Ages, indigo remained an expensive commodity in Europe.

It wasn’t until the early colonial period that large scale production of indigo began. The Spanish and Portuguese set up indigo plantations in Central and South America in the 16th-18th centuries. The British and French also established indigo plantations in Jamaica, Haiti and other Caribbean islands. By the late 18th century, the Caribbean was exporting over 20 million pounds of indigo annually to Europe.

The Rise of Synthetic Indigo

For centuries, indigo dye relied on extraction from tropical indigo plants, which made it expensive and limited in supply. In the late 19th century, synthetic production of indigo was developed in Germany based on chemical synthesis from coal tar derivatives. The synthetic indigo quickly replaced natural indigo in Europe and North America because it was cheaper and more readily available.

Some key dates and events in the history of synthetic indigo:

Year Event
1865 First synthesis of indigo dye from isatin
1878 Karl Heumann produces indigo commercially via synthesis
1897 BASF develops economically viable process for large scale synthetic indigo production
1913 Production of natural indigo peaks at 6,000 tons per year
1914 Synthetic indigo reaches 9,000 tons, surpassing natural indigo production

Within a few decades, the availability of synthetic indigo caused the near collapse of the market for natural indigo from India and Central America. By 1913, synthetic indigo accounted for nearly 90% of the indigo dye used around the world. The low cost, high stability, and standardized quality of the synthetic version surpassed natural indigo across all metrics.

The Impact of Synthetic Dyes

The advent of synthetic dyes like indigo had a profound impact on the textile and garment industries. Clothing manufacturers could dye fabric and yarn in a wider range of colors at a lower cost. This led to more color options in clothing and interior design.

Other important synthetic dyes developed alongside synthetic indigo include:

Dye Year Discovered
Mauveine (purple) 1856
Congo red (direct red) 1884
Naphthol yellow 1876

The success of early synthetic dyes accelerated research into organic chemistry and the petrochemical industry. Coal tar, a byproduct of steel manufacturing, became the base material for making many dyes synthetically. Chemists learned to extract other intermediates like benzene and toluene from coal tar, laying the foundation for synthetic materials.

Decline as a Primary Color

Despite its long history and cultural significance, indigo fell out of use as a primary color in art and design during the 20th century. Here are some of the key reasons why:

– Availability of a wider color palette – Synthetic dyes allowed for mixing of multiple new colors at a low cost. Artists and designers were no longer limited to a handful of natural pigments. The wide availability of colors like emerald, magenta, and chrome yellow made it harder for indigo to stand out.

– Shift away from naturalism – Art movements like Impressionism, Fauvism, and Cubism moved away from depicting scenes and objects realistically. The impressionists favored small dots or brushstrokes of pure color rather than mixing to create natural hues like indigo.

– Adoption of primary color theory – Theories around primary colors and complementary colors emerged in the 18th and 19th centuries. Colors like red, yellow and blue better fit schematics like the RYB color model. Indigo was not included as a primary.

– Standardization of color wheels – Authorities like the RAL Institute and Pantone standardized modern color wheels for design and printing applications. These systems favored consistency across languages and geographies, leaving out more regional colors like indigo.

While no longer considered a primary color, indigo still holds cultural significance and is used in products like denim jeans. But it has become niche compared to earlier periods of history.

Modern Use as a Dye

Despite synthetic indigo dominating the market, natural indigo dyeing has seen a small revival as a specialty craft. Much of this revival has focused on traditional Japanese techniques using indigo plants.

Some key facts about modern natural indigo dye usage:

– Primarily used on cotton and other natural fibers like linen and silk
– Japan produces about 1 ton annually, mainly on the island of Tokushima
– Used by small artisanal shops producing fabrics, clothing, and crafts
– Seen as environmentally friendly compared to synthetic dyes
– Valued by craftspeople and artists for the uniqueness of each dyed item

Advantages of Natural Dyes Disadvantages of Natural Dyes
  • Environmentally sustainable
  • Produces unique color variations
  • Hypoallergenic
  • More expensive
  • Less colorfastness
  • More difficult to apply evenly

While natural indigo holds appeal as an artisanal product, it is unlikely to replace synthetic indigo for mass market uses like denim jeans. The cost and difficulty of sourcing natural indigo keeps its niche status for specialty applications. But it provides a valuable cultural tradition that preserves indigo’s historic roots.

Attempts to Re-Promote Indigo

There have been some initiatives to bring back indigo as a mainstream color in modern life:

– Pantone named a vivid blue shade “Indigo” as their color of the year in 2000. This highlighted indigo in fashion and interior design.

– Organic cotton brands like Indigo Handloom popularized the use of natural indigo dye in denim and casual wear.

– Digital design tools like Adobe Color CC provide color swatches named after indigo to promote its use in graphics and digital art.

– Artists and designers have created conceptual pieces focused entirely on indigo to showcase its depth and aesthetic appeal.

However, these promotions have not been enough to return indigo to primary color status compared to ancient and medieval times. Its current use remains small in the broader context. But the efforts keep its legacy alive even if indigo is not universally considered a major color anymore.

Conclusion

Indigo long held an important place in culture and commerce as a rare and highly prized dye. But the arrival of synthetic dyes irrevocably altered the landscape for both producers and consumers of color. As artists and designers were empowered to use any hue imaginable, traditional pigments like indigo became less valued. The popularity of new color theories also diminished its standing.

Today, indigo is kept alive through small scale artisanal production, high-end designers, and digital creatives playing with its distinctive blue tones. It may never again achieve the singular status it once held. But even in a minor role, indigo traditions remain an important living record of human civilization’s endless fascination with color. Indigo’s inherent beauty and cultural legacy endure, even if its days as a primary color have passed.